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The Magic Toyshop, by Angela Carter
Ebook Download The Magic Toyshop, by Angela Carter
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From Library Journal
Originally published as Honeybuzzard (LJ 1/1/67), Shadow Dance launched British author Carter's career, which she buttressed with The Magic Toyshop two years later. Both received praise from LJ's reviewers, especially the latter novel, which was hailed as an "extraordinary, even brilliant piece of writing" (LJ Copyright 1996 Reed Business Information, Inc.
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Review
"A magic novel, sexy and eccentric, romantic and tricky." —The Village Voice Literary Supplement "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch . . . It leaves behind it a flavor, pungent and unsettling." —The New York Times Book Review Acclaim for Angela Carter “Carter produced . . . fiction that was lavishly fabulist and infinitely playful, with a crown jeweler’s style, precise but fully colored. . . . Her books are . . . revered by fans of speculative fiction stateside and have influenced writers as diverse as Rick Moody, Sarah Waters, Neil Gaiman, Jeff VanderMeer, Jeanette Winterson and Kelly Link. Salman Rushdie, who became her friend, described her as ‘the first great writer I ever met.’ Yet her legacy has been a slow and stealthy one, invisible to many of the readers who have benefited from it. . . . Most contemporary literary fiction with a touch of magic, from Karen Russell’s to Helen Oyeyemi’s, owes something to Angela Carter’s trail-blazing. . . . If our personal and literary spaces feel more wide open now, she’s one of the ones we have to thank.” —Laura Miller, Salon “She writes a prose that lends itself to magnificent set pieces of fastidious sensuality . . . dreams, myths, fairy tales, metamorphoses, the unruly unconscious, epic journeys, and a highly sensual celebration of sexuality in both its most joyous and darkest manifestations.” —Ian McEwan
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Product details
Paperback: 208 pages
Publisher: Penguin Books; Reprint edition (August 1, 1996)
Language: English
ISBN-10: 0140256407
ISBN-13: 978-0140256406
Product Dimensions:
5 x 0.6 x 7.8 inches
Shipping Weight: 1.6 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#403,904 in Books (See Top 100 in Books)
The puppets cut the strings of the puppetmaster. The woman silenced by patriarchy finds her voice. The romantic day, or rather night, dreams of a teenaged girl turn into a grimy, grim reality.This novel has all the earmarks of a feminist tale, tapping into the gothic feminist writings of Bronte, Alcott, Wharton, Shelley, Perkins Gilman, etc., but beyond Aunt Margaret finding her voice and the vanquishing of the creepy, grander, overt representation of patriarchy the story doesn't maintain it's feminist footing. Plus, I'm disturbed by the ambiguity of the fates of the characters...I don't need a big bow tying up the details nice and tidy, but this conclusion doesn't even bring the details into the same zipcode.The power of this novel is the cache of the author, not the story.
It's truly excellent because of the fairy tale/children's story element. It's also a story about life in England for young people in the early 70's. Suddenly, what was at the center of English social life is in ruins, and young people with imagination find themselves as misfits. This is merely my take on what the novel might represent. If you are not interested in reading books this way, you will still find The Magic Toyshop mesmerizing, entertaining, controversial, or whatever type of reading experience you wish to have. Get it.
After I wrote a mock fairy tale a professor I had suggested I read Angela Carter. She felt that I would love the satire and female strength within her books. So far I agree, this book is a funny, sweet, but in your face approach to certain genres. It is a really fun read, but doesn't waste your time. This book has many layers to it and it is breaks a lot of fairy tale taboos. It is not a children's book.
There is not much to the overall plot of this book. The strength of it lies within the wierd characters and dialog among them. I felt a few things were thrown in for shock value like the unexplained severed hand in the kitchen drawer or the 'don't see it coming revealed secret' at the end... that could have been either left out entirely or at best given us a hint about the secret.The peek hole was just down right creepy and some of the descriptions like the uncle's false teeth in the jar in the bathroom made me shudder. I had trouble with Melanie's attraction to her aunt's dirty brother with his nasty breath and teeth and unwashed stinky body. However it was this sort of thing that draws you in and makes you love the book because it IS SO macabre!The ending is lousy but in reality the whole story was not that great but it's the characters and their weirdness that will keep you reading so even with a bad ending you will go away whispering... wow...
Graphic story to begin with. Entertaining.
Angela Carter is one of my favorite authors. Her writing and use of language is truly astounding! Definitely highly recommended for fantasy lovers.
This book is just frankly silly! I read it as part of some research for a project. I enjoyed 'Nights at the Circus' a lot more.I felt that the writing, though visually engaging, was poor.. If you are looking for subtlety and nuance, forget it with this novel.I do find Carter's work entertaining but the character development is limited and each individual in this particular book is a huge cliche.I had hoped to find the strangeness of the subject I.e. The making of extraordinary and sinister toys and puppets, much more compelling but I was disappointed.
I heard a story by Angela Carter on the BBC about a female vampire. I loved it and with the reviews I expected this to be just as good. It left me flat and bored. Too much talk about dirty feet, and dirty clothes, nothing at all sensual.
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